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[翻硕] 2015研究生基础英语改错原文

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楼主
发表于 2014-12-29 14:32 | 只看该作者 回帖奖励 |倒序浏览 |阅读模式
本帖最后由 宅男一族 于 2014-12-29 14:41 编辑

T here has been much talk in recent years about the end of the book, but the Austen industry appears not to have heard the news. All four of the books under review are published in high-quality hardback editions, with Bharat Tandon’s annotated edition of Emma being the most handsome. Its large size and heavy weight, complemented by thick, wood-textured endpapers, acid-free cream-vellum paper, generous margins and woven bindings (that去掉) suggest an object important in its own right, an object and a form that will not go quietly into the good night.

Holding a book of this size and weight, one is reminded not only of the book as a thing, but also of the important role that things themselves play in books. In literary studies, this has fostered a new method of criticism under the heading of “thing theory”. Taking its cue from(the去掉) anthropology, this practice considers how objects are invested with meanings beyond their material existence

It would be a mistake, however, to read Austen’s fiction as primarily, or even predominantly, about things. In a letter, Austen famously concluded that “three or four families in a country village is the very thing to work on”, and her novels focus not only on the courtship plots that structure her narratives, but also on the manners, the judgement, the subtlety and the tact required to negotiate day-to-day encounters with those whom, like Mrs Elton in Emma, one often loathes but of whom one will likely never be free. They are novels of social evaluation, of minute and careful observation, both of manners and of internal mental processes, novels in which ideas and thoughts matter. As James Wood notes, “Emma is one large mental chamber”. Austen’s works, therefore, are novels in which even seemingly simple words bear multiple resonances, and in this context, Tandon’s notes are superb.

楼主凭记忆划出的答案,请给位补充。。。 已跪

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    沙发
    发表于 2014-12-29 14:57 | 只看该作者
    谢谢,已收录
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    板凳
    发表于 2014-12-29 15:39 | 只看该作者
    shit 错了4个
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    地板
    发表于 2014-12-29 16:42 | 只看该作者
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    发表于 2014-12-29 17:20 | 只看该作者
    肯定是在这句It would be a mistake, however, to read Austen’s fiction as primarily, or even predominantly, about things.的一个位置。因为这个我答错了
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    发表于 2014-12-29 18:02 来自手机 | 只看该作者
    momowuwende 发表于 2014-12-29 17:20
    肯定是在这句It would be a mistake, however, to read Austen’s fiction as primarily, or even predomin ...

    as.去掉麽?后面两个副词修饰句子,不需要其他成分,直接修饰可以的吧吧

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    发表于 2014-12-29 20:38 | 只看该作者
    There has been much talk in recent years about the end of the book, but the Austen industry appears NOT to have heard the news. All four of the books under reviewing (REVIEW) are published in high-quality hardback editions, with Bharat Tandon’s annotated edition of Emma being the most handsome. Its large size and heavy weight, complemented by thick, wood-textured endpapers, acid-free cream-vellum paper, generous margins and woven bindings suggest an object important in their (ITS) own right, an object and a form that will not go quiet (QUIETLY) into the good night.
    Holding a book of this size and weight, one is reminded not only of the book as a thing, but also of the important role that things themselves play in books. In literary studies, this has fostered a new method of criticism under the heading of “thing theory”. Taking its cue from THE (去掉) anthropology, this practice considers how objects are invested with meanings beyond their material existence.(这一句应该有错误,我把existence改成了existences,我猜是题目中写的是meaning而应该改成meanings,纯属猜测,完全不记得了。)
    It would be a mistake, however, to read Austen’s fiction as primarily, or even predominantly, about things. In a letter, Austen famously concluded that “three or four families in a country village is the very thing to work ON”, and her novels focus not only on the courtship plots that structure her narratives, but also on the manners, the judgement, the subtlety and the tact requiring (REQUIRED) to negotiate day-to-day encounters with those whom, like Mrs Elton in Emma, one often loathes but of whom one will likely never be free. They are novels of social evaluation, of minutely (MINUTE) and careful observation, both of manners and of internal mental processes, novels in which ideas and thoughts matter.  As James Wood notes, “Emma is one large mental chamber”. Austen’s works, however (THEREFORE), are novels in which even seemingly simple words bear multiple resonances,  and in this context, Tandon’s notes are superb.
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     楼主| 发表于 2014-12-29 20:55 | 只看该作者
    痴CIEN 发表于 2014-12-29 20:38
    There has been much talk in recent years about the end of the book, but the Austen industry appears  ...

    嗯,我感觉还有一句应该有两处错误,就是你这里their改its,而我那里that去掉。。
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    发表于 2014-12-29 23:07 来自手机 | 只看该作者
    错了好多。桑感。不管怎样等吧。

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    发表于 2014-12-31 15:57 来自手机 | 只看该作者
    痴CIEN 发表于 2014-12-29 20:38
    There has been much talk in recent years about the end of the book, but the Austen industry appears  ...

    在“Holding a book of this size and weight, one is reminded not only of the book as a thing,but also of…这里应该一个错 我记得我改了什么…

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